Virtual reality isn’t for everyone. Well, at a high quality, I actually think it is and most people love it. But VR at a low quality … can give you vertigo. The higher the quality, the less staccato the movements. It’s also more expensive, but hey, it’s only money and extremely fun to use.
It is also not for every type of space. Smaller, tighter spaces are not conducive to the 360 degree motion inherent with VR. Talk about nausea. Larger interior spaces are perfect for VR. Fly-throughs are great because they keep you moving and balanced. Though hallways can be claustrophobic, walking down a hallway can be fine as long as you’re not stationary. Exterior buildings work well. Context becomes extremely important so one feels as if it’s real and you’re actually standing outside.
VR may not be perfect, but once you experience it, it is just so cool.
I continue to push my employees to generate higher quality in whatever we produce, whether drawings, design or renderings. As we push ourselves, we find that renderings have a broad range of styles and techniques from watercolor to using SketchUp to incorporating Photoshop to photorealism. As we continue to explore these techniques, the progression of styles become more and more real as they develop. The photorealistic side of presentations begins to create a correlation between virtual reality and photorealism, making them more and more relatable. The ability to provide a tool for clients to virtually experience their projects translates to their expectations that what they are visualizing is absolutely accurate. When one views a watercolor, the expectation warrants a romantic expression of the building or space. When one experiences virtual reality, however, the expectation expands to the desire for true accuracy in the experience. That accuracy requires a completion of the design within the photorealistic generation of that design. Ultimately, the architect and client reach a final product sooner rather than later. This impact on the industry will be interesting to watch in the future.
A little known secret in the architectural and design industry is that as technology develops, like a computer program or a rendering technique or drafting capabilities, the requirement as designers for attention to detail increases. We cannot get away with lines that don’t cross, flooring that is ‘almost’ the right color or a tree approximately in the correct spot. The tools we use now demand from us our focus and care when designing and presenting to our clients. And now that we are producing renderings through virtual reality, the programs we use allow for that detail. Even more, our clients now expect that detail. It becomes even more imperative for us as designers to take the time to understand what that material really is that we’re showing or to ensure the orientation of the building is truly positioned properly. Most importantly, our client wants to know, “Is that really what it looks like?”
In my last post, I discussed 2D renderings as a tool for presentation purposes. And for most clients, renderings always succeed in telling the story. We use programs like SketchUp, Photoshop, 3D Studio Max and Rhino to create 3D models which turn into 2D presentations. But now, we can take it to another level. We can place clients inside the space or even standing on the sidewalk admiring their future building. Looking at a snapshot of an experience only allows the viewer to visualize what is shown in that snapshot. But with virtual reality, we literally place the viewer in the space, allowing them to view 360 degrees of details, proportions, materials and context. This amazing tool gives the client the ability to both feel the space or building, and also place themselves in an environment that is as close to reality as possible, even though it is not.
We often get asked the question, “Can I see it in 3D?” And my answer is always the same, “Well, we can actually show you a 3D perspective, but it’s in 2D.” When an image is printed on a piece of paper, it is automatically 2D by nature of it being on a piece of paper. Interior perspectives of spaces or exterior renderings of buildings are all … well … 2D. And remember, 2D images and renderings are extremely valuable. They provide the client the ability to visualize the space or structure on a piece of paper as an image projecting something more real than what they can personally visualize. Just as still shots or photographs capture moments in time for people to appreciate and enjoy, so does the 2D rendering.
In our next blog post, we’ll explain how we are taking this technique to a whole new level of visual experience.